Cora Fisher of The Brooklyn Rail writes:
"Touting Laura Mulvey’s essay 'Visual Pleasure and Narrative Cinema' as the curatorial premise of its group show, The Female Gaze: Women on Women, Cheim & Read promises a look into how women see themselves and other women, surveying self-portraits, portraits, and female nudes, all by women artists...
The contemporary viewer wonders, if we are really living in a so-called 'post' era—post-feminist, post-racial, post-gay— can the identity politics of its premise be truly invigorated by this survey? Does there exist an inter-female gaze purged of male scopophila?"
Well I don't know but I love this painting Big Blonde in the Weeds by Lisa Yuskavage (2001) at the SAM (not so much the one mentioned in the article). It is beautiful, curvy, sensuous, mysterious, and apparently not digitized online except in a tiny thumbnail from their website.
p.s. One of the photos from the show--Blonde Girl with Shiny Lipstick, NYC by Diane Arbus (1967) looks like femmebot britney spears:
No comments:
Post a Comment